Animatic:
Password = ungaretti
Detachment - Animatic from Ali MacPherson on Vimeo.
Some development sketches:
I wanted my film to be ready for our animation exhibition in February so I soon got animating! I had originally wanted to do the whole film traditionally but due to lack of time I settled on animating digitally using Photoshop and After Effects - this was still good practice for working digitally. To maintain some of a traditional look however, I painted all the backgrounds with watercolour. I felt the watercolours were able to create that cold, pale atmosphere I was looking for in this film:
After the exhibition, and following advice from a crit with Ungaretti project organiser Carlo, I changed some aspects of the animation. This was mainly in regard to the colour; originally both characters had been coloured in a greyscale palatte, but this proved confusing and made it hard to differentiate the characters from one another. So I re-coloured the modern climber to be in full colour (but still a grey/blue/cold palette). I think this made a big difference and was the look I had originally hoped for.
The Final Film:
Detachment - Ungaretti Project from Ali MacPherson on Vimeo.
Reflections on the final film:
- To try and get the film made in a couple of weeks (in time for the exhibition) was a bit of a strain and I think the final film suffered for that. I wasn't able to spend as much time animating as I would have liked and had to settle on creating the whole film digitally rather than trying traditional techniques.
- In trying to keep the film as short as possible I think the narrative was lost a little in the film. It was not as understandable to the audience as it could have been and I think the original themes I wanted to incorporate were perhaps lost.
- Despite these flaws, I was happy with some of the actual animation. I enjoyed animating the characters climbing the mountain! Through the watercolour backgrounds I was still able to incorporate my original ideas regarding colour; that the colour palatte would begin cold and blue, and turn progressively blood red and darker as the climbers reached the summit and the peak of their struggle. I also think using watercolour here was the right choice and I really liked the gentle look it gave to the film.
No comments:
Post a Comment